On
25 January Scots people round the world celebrate Burns night, piping
in the haggis along with the neeps and tatties (turnips and
potatoes), and all the rest of it, to celebrate Burns’ birthday.
What do socialists think of Burns? Is it possible that Burns could
be called a socialist?
The
answer must be ‘No’. In the eighteenth century the
co-operative, friendly, work-together society that socialists strive
for had not yet been crystallized into a political programme; the
aggressive, snarling, stab-in-the-back society that capitalism tries
to impose on us all was triumphant, or about-to-be-triumphant,
everywhere in the world. And Burns was a Scots nationalist (‘Scots
wha hae wi’ Wallace bled . . .). Yet there are many facets of
Burns’ poetry, and of Burns’ philosophy, that must strike a chord
with all socialists (and it is well worth making the effort, though
sometimes it’s not easy, to understand Burns’ Ayrshire dialect of
our common language.) For example, Burns was always (just like
socialists) able to see the larger significance of what appeared to
be small, unimportant events – to see the greater meaning lying
behind something apparently trivial. There are two well-known
examples.
In
church one day Burns sat near a well-to-do lady, dressed in her
Sunday finery, seemingly pleased with her smart appearance. But
then Burns saw a louse, openly crawling up her fashionable bonnet.
Burns enjoys the joke, pretending to tell the louse to clear out, and
get its dinner off some ragged beggar instead; but then the contrast
between the lady in her posh clothes, and the “winks and
finger-ends” which showed that other people had seen the louse,
leads to a thought of deeper moment:
‘Oh
wad some Power the giftie gie us,
To see oursels as ithers see us,
It wad frae mony a blunder free us,
An' foolish notion;
What airs in dress and gait wad lea’e us,
And e’en devotion!’
To see oursels as ithers see us,
It wad frae mony a blunder free us,
An' foolish notion;
What airs in dress and gait wad lea’e us,
And e’en devotion!’
Then
there was the time when Burns was out ploughing one December – he
had a small farm – and suddenly realized that he had destroyed a
mouse’s hide-out, which it had constructed with much labour to
shelter itself from the winter weather (“ That wee bit heap o’
leaves an’ stibble, Has cost thee mony a weary nibble”). The
poet apologizes for breaking ‘Nature’s social union’, and goes
on:
‘But
Mousie, thou are no thy lane, [you aren’t alone]
In proving foresight may be vain: The best laid schemes o’ Mice an’ Men, Gang aft agley,
[often go wrong]
In proving foresight may be vain: The best laid schemes o’ Mice an’ Men, Gang aft agley,
[often go wrong]
An’lea’e
us nought but grief and pain,
For promis’d
joy!’
Then
Burns added an extra verse. In some ways, he thought, it could be
said the mouse was better off, being only concerned with the present;
while the poet could see nothing to please him in either the past or
the future.
‘But Och! I backward cast my e’e,
On prospects drear!
An’ forwa rd, tho I canna see,
I guess and fear!’
‘But Och! I backward cast my e’e,
On prospects drear!
An’ forwa rd, tho I canna see,
I guess and fear!’
Burns
had little time for the social set-up of his day. In The
Twa Dogs,
Burns describes a landlord:
‘Our
laird gets in his racked rents,
His coals, his kane, and all his stents, [kane - fowls paid as rent, stents – dues]
He rises when he likes himsel’,
His flunkies answer at his bell;’
His coals, his kane, and all his stents, [kane - fowls paid as rent, stents – dues]
He rises when he likes himsel’,
His flunkies answer at his bell;’
He
travels in a horse-drawn coach, and his silk purse is full of gold
pieces. As for the landlord’s factor or land-agent, when the rent
is due he tyrannizes over the impecunious small tenants:
‘Poor
tenant bodies, scant o’ cash,
How they maun thole a factor’s snash: [must endure his abuse]
He’ll stamp an’ threaten, curse and swear,
He’ll apprehend them, take their gear; [he’ll collar them, take their possessions]
While they maun stan’, wi’ aspect humble,
An’ hear it a’, an’ fear and tremble!’
How they maun thole a factor’s snash: [must endure his abuse]
He’ll stamp an’ threaten, curse and swear,
He’ll apprehend them, take their gear; [he’ll collar them, take their possessions]
While they maun stan’, wi’ aspect humble,
An’ hear it a’, an’ fear and tremble!’
Then
in The
Cotter’s Saturday Night
Burns praises ‘an honest man’, while dismissing his supposed
social superiors – ‘Princes and lords are but the breath of
kings’:
‘What
is a lordling’s pomp! A cumbrous load,
Disguising oft the wretch of human kind, S
tudied in arts of hell, in wickedness refin’d!’
Disguising oft the wretch of human kind, S
tudied in arts of hell, in wickedness refin’d!’
Perhaps
Burns’ philosophy is most clearly expressed in A
man’s a man for a’ that.
‘The
rank is but the guinea’s stamp,
The Man’s
the gowd [gold] for a’ that.’
As
for the upper class:
‘Ye
see yon birkie [bighead], ca’d [called] a lord,
Wha struts, and stares, and a’ that;
Tho’ hundreds worship at his word, He’s but a coof [fool] for a’ that:
For a’ that, and a’ that, His ribband, star [decorations], and a’ that,
The man of independent mind, He looks and laughs at a’ that’.
Wha struts, and stares, and a’ that;
Tho’ hundreds worship at his word, He’s but a coof [fool] for a’ that:
For a’ that, and a’ that, His ribband, star [decorations], and a’ that,
The man of independent mind, He looks and laughs at a’ that’.
Then
Burns sums it up:
‘Then
let us pray [earnestly desire] that come it may,
(As come it will for a’
that,)
That Sense and Worth, o’er all the earth, Shall bear the gree, [be victorious], an’ a’ that.
For a’ that, an’ a’ that, It’s coming yet for a’ that,
That Man to Man, the world o’er, Shall brothers be for a’ that. ‘
That Sense and Worth, o’er all the earth, Shall bear the gree, [be victorious], an’ a’ that.
For a’ that, an’ a’ that, It’s coming yet for a’ that,
That Man to Man, the world o’er, Shall brothers be for a’ that. ‘
If
you take “Man” to be all humans, or if you add “Woman to Woman
shall sisters be”, it’s a sentiment socialists share.
ALWYN
EDGAR
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