The sell-out concert tour of Britain and Europe by Bob Dylan (he’s in his 85th year) presents a prime example of the way capitalism, via its entertainment industry, can sell us meaningless thrills to patch over the uniformity and stress of living in its wage and salary system.
Dylan does have something unique to offer, but the adulation, the hero-worship, as opposed to simple appreciation, of him by the fans at his concerts can only be seen as part of the obsession with celebrity culture that capitalism thrusts upon us as a substitute for mutually cooperative activity. This is something the free access society of economic equality that we call socialism would release.